fresco (plaster); salvaged wood
22.5 x 24 x 2"
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acrylic, airbrush, latex, ink, oil pastel, UV pigments on canvas 60 x 120"
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drawing 24 x 32 x 1"
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watercolor on paper mounted to board 22 x 30 x 1"
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paper & acrylic on canvas 24 x 18 x 2"
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acrylic / mixed media 30 x 24"
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oil 21 x 25 x 1"
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India ink, archival ballpoint, crayon, coffee, watercolor, gouache, color pencil, acrylic on paper 28 x 21"
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ink & watercolor on museum-grade canvas 20 x 20 x 2.25"
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oil 24 x 24 x 1.5"
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digitally enhanced photograph 16 x 20"
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collage 17 x 19"
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etching - drypoint, aquatint, engraving with Gampi chine collé 15 x 17 x 1"
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collage / acrylic 18 x 22 x 2"
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walnut ink, sumi ink, minerals, pigments, graphite powder, oyster shell, silver leaf, found tulle, paper scarps, mitsumata, on mulberry paper mounted to panel 24 x 48"
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resin & steel 18 x 4 x 4"
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acrylic on canvas 20 x 24 x 1"
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acrylic, graphite, antique quilted fabric on canvas 80 x 80 x .5"
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charcoal 38 x 18 x 1.5"
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oil 21 x 17 x 1"
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watercolor 15 x 20"
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image transfer on canvas, gold leaf, acrylic paint 24 x 20 x 1"
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oil 24 x 20 x 1"
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acrylic, ink, graphite and thread on canvas 20 x 20 x 1.5"
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oil on canvas 30 x 24 x 1.5"
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oil & cold wax on wood panel 12 x 9 x .75"
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digital art on metal 24 x 18 x 1"
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acrylic on canvas 36 x 24 x 2"
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acrylic 60 x 48 x 1.5"
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glazed stoneware 15 x 8 x 8"
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suede, paper, copper 22 x 26"
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oil on canvas 22 x 28 x 0.8"
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acrylic on canvas 21 x 25 x 2"
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oil on canvas 21.5 x 17.5"
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oil on canvas 25 x 25 x 1"
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acrylic, tree bark, skins, burlap, crayon 19.5 x 19.5"
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oil 18 x 18 x 1"
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oil 16 x 20"
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bronze, wood 15 x 10 x 8"
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acrylic on canvas 10.6 x 10.6 x 1"
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sumi-e 20 x 25"
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digital photography, Inkjet archival print 23.5 x 17.5 x 1"
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oil on canvas 56 x 60 x 1.3"
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collage with jewelry findings and string 12 x 12 x 1"
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collage with mixed media 21 x 19"
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acrylic 13 x 11 x 1"
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silk ribbons, antique maps, antique wooden shoe forms 11 x 9 x 3"
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oil, charcoal, graphite, aluminum paint on paper 24 x 24"
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collage with digital elements 9 x 8.5"
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fiber 27 x 29 x 2"
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screen-printed, stitched vintage linen 12 x 12 x .875"
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acrylic paint with collage on cradled wood panel 24 x 18 x .75"
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mixed media 19.5 x 14 x 4.5"
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oil paint on wrapped canvas 24 x 24 x 2"
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pastel, ink, acrylic on paper 17 x 17"
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oil on canvas 72 x 48"
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collage, graphite, paint, ink 24 x 24"
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graphite 30 x 46 x 1"
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acrylic on canvas 29 x 35"
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bronze 11 x 11 x 10"
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photography digitally altered 14 x 11"
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embroidery & felting 13 x 13 x 2"
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photography 9.5 x 14"
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acrylic & gold leaf 44 x 24 x 2"
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acrylics / mixed media on canvas 24 x 20 x 1"
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acrylic 36 x 48"
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acrylic 24 x 24 x 1.5"
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oil & cold wax on panel 24 x 30 x 1.5"
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oil on panel 24 x 20"
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sculpture relief 26 x 15 x 6"
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douglas fir 21 x 4 x 3" (with pedestal, 72")
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mixed media 30 x 24 x 1.5"
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fiberglass, casting, wood, fibers, plants, taxidermy, Bondo 25 x 25 x 25"
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digital photograph 17 x 21"
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mixed media on paper 18 x 16 x 1.25"
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photography 24 x 30 x 1"
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monotype 18 x 22 x 1"
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watercolor on archival paper with hand sewing and stamping in archival cases 13 x 11.5"
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ink on paper 21.5 x 19"
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mixed media 28 x 29 x 1.5"
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acrylic on canvas 15 x 19 x 2"
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bronze 4 x 14 x 17"
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oil on cradle board 20 x 16 x 1.5"
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oil on canvas 28 x 22 x 2"
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oil on panel 9 x 9 x 2"
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terracotta 12 x 9 x 8"
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mixed media 18 x 24"
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blown glass, bread, resin 5 x 14 x 8"
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digital archival photograph sublimated to aluminum 16 x 24"
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graphite drawing on Arches watercolor paper 15 x 15"
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photography 24 x 18" In this photograph my granddaughter Georgina looks transfixed out to sea. She lives with Rett syndrome a rare genetic neurological disorder that affects the way the brain develops. She is nonverbal. I do know by her calmness at the shore that she feels a sense of peace and wonder here. I want to share that with her and with you.
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mixed media 20 x 16 x 2" My goal is to present a unique mixed media work. Materials are transformed to another level. There are areas of subtlety, sometimes subtle variations of a single hue. There are also passages of intricacy and/or simplicity within the work. There is a strong interplay of color, line, texture, and form.
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oil on canvas 30 x 30 x 1.5" This is an abstract image of disjointed worlds and perhaps a left behind fragment in between universes. I've always been interested in astrophysics but with limited understanding, so I paint my ideas.
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works on paper 24 x 18 x 1" The unexpected is always a journey, and ghost prints satisfy my love of experimentation, challenge, abstraction, and recycling. This particular iridescent pearl acrylic ghost print felt 'galactic' and fragmented. Embracing this image was calming. It will be forever in my mind.
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oil on cradled wood panel 24 x 18 x 1" Painting landscape for many years, I have been drawn to water; it's movement, and reflections, and depth. This glorious sunny day on a humble pond capitvated me for all those reasons.
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oil 20 x 20 x 2" From the Invisible Women Collection: Voyeur is small to replicate the sensation of peering into a closed space. Apprehensive, yet drawn to that upstairs window, we are unable to resist the temptation of looking inside, but feel guilty for invading someone’s privacy. The figure may have gone unnoticed. Returning outside, one might see that the odd sizing of the brick exterior is both curious and uncomfortable, dreamlike in the way it feels warped from sitting in the sun. This peculiar patterning draws us down to a solitary figure looking out a darkened window below, penned in, trapped, invisible.
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mixed media on Arches oil paper 13 x 13 x 1.25" I paint military spouses who live in West Point, NY- where the United States Military Academy is located. As a proud military spouse, I became interested in the cumulative effects of this lifestyle- exploring identity erasure, community, and impermanence. My work, "Sponors' Last Four," refers to the military's organization of spouses by the last four of the active duty member's social security- instead of their names. I also developed a process that was reflective of these experiences: the chaotic and relentless cycle of breaking down and starting over. I repeatedly disrupt, redraw, and rerender figures. I intend to not only express the challenges these women face but also their beauty.
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oil on canvas 6 x 10 x 2" My inspiration for this recent piece, is my continued love of the 'Casa Colonica' in Italy. These farmhouses represent a rural life of an epoch gone by, which I find fascinating. By painting their portrait so to speak, I feel I am giving them a renewed voice and acknowledgement. I feel a connection to these massive structures. This particular view in the dark of night has a comforting feeling yet a loneliness standing in the shadows with only a half light from the moon illuminating. The stone wall in the foreground creates a presence of its own, inviting the viewer to proceed forward or warning to stay and watch from afar. Moonlight Moon is the beginning of my 'Italian Night Series.'
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ink on paper 15 x 18" The Flotsam series follows my long interest in shallow water system imagery across sculpture, painting, and drawing projects. In this work I allow each material to inform the evolution of image making. Started during a road trip in 2023 with a small kit, I began these drawings with layers of brushed-on ink that got worked over with marker which rendered a silvery, burnished surface. These quickly became a process that encouraged intuitive shape-making, and where chaos on the page came to order through a network of connections.
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ceramic 15 x 11 x 9" Taking off in a personal, fantastical, playful westernized direction, I create a "character mask" I hope worthy of those wonderful sculpted wooden masks worn by performers in both traditional energetic Japanese Kabuki theatre and dance presentations and in the more restrained Noh theatre performances. Initial inspiration transformed!