What We Carry Unnamed
acrylic and oil pastel on canvas with black float frame
13.5 x 13.5
My work gives visual form to the complex, often unspoken emotional landscape of women in transition —those of us moving between identities, roles, and expectations. It is a space that can feel both expansive and disorienting, where language often falls short. I paint the emotions women are taught to carry—but never taught how to name.
Through abstraction, I hold what is difficult to articulate: layered, shifting emotional states shaped by transition, accumulation, and change. These works become a way of making visible what is usually carried in silence.
My process is informed by years in a precise, detail-oriented profession where structure and discipline are essential. In my art studio, I loosen that control, allowing intuition, interruption, and emotional response to lead. This shift creates a visual language that balances restraint with release.
Each painting is built through layered gestures—marks added, obscured, and rediscovered over time—becoming a record of both intention and surrender. I am drawn to the space where form dissolves and reassembles, where clarity and ambiguity coexist, and the viewer is invited to navigate rather than resolve.
Ultimately, my work is about emergence: what becomes visible when layers—both seen and unseen—are allowed to remain in dialogue.
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